Lucy Yellowmule galloped into the Sheridan WYO Rodeo July 6, 1951. A young Crow barrel racer from Wyola, Mont., her horsemanship wowed the crowd and her selection as rodeo queen inspired creation of All American Indian Days and the Miss Indian America Pageant—institutions widely praised for improving relations among the races.
Arts & Entertainment
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|Albert, Prince of Monaco, hunts with Buffalo Bill, 1913||John Clayton|
|All American Indian Days||Gregory Nickerson|
|Babcock, Charlotte, Casper author||Nichole Simoneaux|
|Banditti of the Plains, The||Rebecca Hein|
|Barlow, Bill||Rebecca Hein|
|Barrow, Merris, editor of Bill Barlow’s Budget||Rebecca Hein|
|Beethoven celebrations, Wyoming orchestras and||Rebecca Hein|
|Belden, Charles, photographer||Lori Van Pelt|
|Bierstadt, Albert: Landscapes of the American West||Maria Wimmer|
|Big Horn River Pilot, early Thermopolis, Wyo. newspaper||Rebecca Hein|
Arts & Entertainment
When Enzo Tarquinio surrendered to U.S. Rangers in Sicily in 1943, he didn’t know he’d end up at Camp Douglas, Wyo. While other POWs worked at farms and ranches, Tarquinio and at least two fellow artist-prisoners painted murals in the officers’ club. Their subjects? Cowboys, Indians, wagon trains and mountain goats.
From April to November 1868, two ex-Confederate brothers, Legh and Fred Freeman, published the strident, anti-Reconstruction Frontier Index, moving their offices ahead of the still-building Union Pacific Railroad. Rioters finally destroyed the newspaper’s office and presses in Bear River City, putting the paper out of business.
In 1904, when the Old Faithful Inn opened in Yellowstone Park, it was seen as a treasure: rustic and luxurious, breathtaking yet casual. It came to be a symbol of Yellowstone, and its building style, called parkitecture, spread quickly to other national parks, dude ranches, state parks and small museums.
Cowboy photographer Charles Belden co-owned the massive Pitchfork cattle and dude ranch near Meeteetse from 1922 to 1940. Even more than ranching, however, he cared about taking pictures. His images show working cowboys, sheepherders, dudes, cattle and sheep—and a spirit of western romance and adventure that the public was hungry for.
Wyoming soldier, artist, bugler and wolf killer George Ostrom joined the National Guard in 1913 and in 1918 found himself serving with an artillery regiment in the Great War. While in France he sketched vivid combat scenes but is best remembered for his design of Wyoming’s famed bucking-horse logo, modeled on his beloved sorrel, Redwing.