Arts & Entertainment

After World War I, people in America’s fast-growing, car-purchasing middle class could afford pleasure trips and began sending home picture postcards. The cards reveal a great deal about the attitudes, class and prejudices of their senders and vendors, and hint at what Wyoming people wanted the world to see.

Hawaiian cowboys, competing at Frontier Days in 1908, kicked off Wyoming’s Hawaiian music (and culture) craze. The “paniolo” dominated the world championships that year. Wyomingites bought ukeleles, phonographs and records and attended Hawaiian plays, musicals, dances and concerts for decades. Interest was still strong well into the 1950s.

Though born in Cody, Jackson Pollock soon moved away and never returned, and the state has never claimed him. But Pollock vigorously claimed Wyoming—this wild place. Risk was what he was all about—both in his life and in the revolutionary drips and swirls of his paint.

The Casper-based Wyoming Symphony Orchestra’s roots reach back to an all-amateur, no-budget ensemble of local musicians in the 1920s. Now, with a half-million dollar budget, an endowment fund and planned giving, the symphony performs difficult repertoire on few rehearsals—with a substantial number of its musicians from Colorado.

A few people in Wyoming know the secret behind their state flag. They will give a knowing smile, as they nod, yes—that bison wasn’t always hitched to the staff, he used to survey over the mountains and prairie. But the flag holds more secrets in its weave . . .

Lucy Yellowmule galloped into the Sheridan WYO Rodeo July 6, 1951. A young Crow barrel racer from Wyola, Mont., her horsemanship wowed the crowd and her selection as rodeo queen inspired creation of All American Indian Days and the Miss Indian America Pageant—institutions widely praised for improving relations among the races.

In the fall of 1970, two community orchestras in Wyoming celebrated the 200th anniversary of Beethoven’s birth. At a time of dedicated local involvement, audience turnout was good and civic pride for these performances overflowed.

When Enzo Tarquinio surrendered to U.S. Rangers in Sicily in 1943, he didn’t know he’d end up at Camp Douglas, Wyo. While other POWs worked at farms and ranches, Tarquinio and at least two fellow artist-prisoners painted murals in the officers’ club. Their subjects? Cowboys, Indians, wagon trains and mountain goats.

From April to November 1868, two ex-Confederate brothers, Legh and Fred Freeman, published the strident, anti-Reconstruction Frontier Index, moving their offices ahead of the still-building Union Pacific Railroad. Rioters finally destroyed the newspaper’s office and presses in Bear River City, putting the paper out of business.

Skilled editor and moral crusader James H. Hayford ran the Laramie Daily Sentinel from 1869 until the paper, by then a weekly, folded in 1895. Eliciting reluctant admiration even from his most bitter rivals, Hayford and his paper were colorful, blistering, tireless and articulate.